Improv is short for improvisation. Have each actor act out a wacky death suggested by the audience as they slip up in their storytelling. Give the audience silly examples, such as death by brain freeze, or death by dancing, at which point the offending actor must act out said death. Continue with the remaining actors until you are down to two. The game is won when the last actor is still standing, at which point he should end the story. That’s it! Have fun!
2. Wrinkle your actors in a horizontal column across the episode. Obtain the audience propose a title for the story your actors will tell. Give them examples. The title should be short and sweet, such as, “The Blue Shoe,” or “The Orphan Boy.” Let the actors elaborate and take the story to wacky places on their own. The title does not have to be funny.
3. Inform the audience that you will be pointing to the actors to tell the story, and cutting them off. Each actor, when pointed to, must continue with the story without repeating the last word said, and seamlessly make up the next part of the story. If they stutter, repeat the last actor’s word, or draw a blank, the audience is to yell out, “Die!” At which point, the offending actor must act out a suggested death.
4. Kneel in front of your actors, or sit on the ground. Act as the conductor of the story, much like an orchestra conductor. Point to an actor to start telling the story. After a few lines cut them off with your hand signal. Point to the next actor to pick up where the last storyteller left off. Continue directing, pointing and cutting off, until someone makes a mistake, repeating a word, or taking too long.
5. Improv comedy has change into a universal participation effects for actors, besides as usual entertainment, on both television, and breathing theatres encompassing the globe. Improv games can further be played at parties, or used in classroom settings to hand students ripen into comfortable performing. “Allegory, Account, Die” is an choicest sport to play with beginners, since all that is needed is an power to cook up a narrative, rather than playing a aspect.
