No argument what instrument you play, there is always the mo in generation where you accept to switch keys. If you can't sing the alpine paper money or can't in fact span the low paper money on your instrument, transposition is always the give back to stepping up to the fitting primary signature.
Start substituting. Once you have your key signature, you can start moving your notes to their different spaces. It's best if you use a piece of staff paper in order to receive used to the process. For instance, if your first note is C, it will now move into the new key of E flat. If you want to think about this theoretically, all of your notes will be three half steps up from the original key.5. Either transpose remainder of the notes by counting up the half steps, or changing everything by intervals. For instance, if the original key has a C that goes to a D, your new key will follow the same interval. That means that it will be an E flat going to an F. Both are following the same second interval spacing.
Figure out your next key. Since you are moving to the key of E flat, you will want to understand this key signature extremely as the other one. You can do this by using your circle of 5ths. If you go down to the key of E flat from C, it will tell you what the key signature is.
3. The circle of fifths steps. Count back 5 from C counting C as one. This should be the key of F. This will have one flat. Count back five more from F. This will have two flats and will be the key of B flat. Count back five more from B flat. This will be E flat and will have three flats. The order of flats is always B, E, A, D, G, C, F. This means that the key of E flat will have the flat notes of B, E and A.
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