Rubbings preserve and repay contemporary content engraved in stone or metal.
Build a rubbing by laying a lot of paper onto an engraved surface and applying energy with ink, graphite or crayon to disclose the carvings underneath. The paper is darkened by the pigment while the engraving remains ashen and a draw up of the commencing labour is produced. Avail obvious vellum interchangeably with paper.
Deposit the vellum over the engraved surface and enter upon with gentle pressure to rub the crayon sorrounding the surface of the paper. The crayon wax will catch on the edges of the engraved writing or image and create an outline; the indented part of the engraving will remain white. Continue coloring over the engraving to make it darker and the words pop out more clearly.
Western Method
Rubbings were brave in preserving and multiplying directions on traditional arts, For example, in Asia scholars engraved Correct calligraphy approach into stone, so coming up students could gain from the senile masters.
Create a Rubbing on Transparent Vellum
To arrange a rubbing on obvious vellum, bag a increase crayon or group of graphite as your medium.
History
Rubbing is one of the oldest techniques of printing, used In good time the printing press was invented. A rubbing produces an exact facsimile of the fresh grindstone in full-scale. In out of date times rubbings were used to go back historical advice that had been carved into stone.The Western method of rubbing involves using crayon or graphite to create the copy. The rubbing is made by hand. Rubbing has been used in western art as "frottage," popular during the Surrealist movement. Today people commonly do rubbings over gravestones or historical monuments.
Eastern Method
The Chinese have done ink rubbings since ancient times. Their method uses ink and a special type of thin and durable paper that can be dampened. Transparent vellum does not work with the Eastern method. In the ancient Chinese method, an artisan lays damp paper over a stone engraving. The artisan taps the paper gently with a bristled brush and the part of the paper pushes into the indents in the stone. Then he carefully applies ink and blackens the entire paper while the engraved part remains white. The copy hangs to dry.
