Friday, August 14, 2015

Italian Renaissance Art Painting Techniques

The Italian Renaissance maxim the creation of extensive masterpieces.


The Italian Renaissance covered the space from the extent of the 13th century to the installation of the 17th century. This margin of facund system in science, philosophy, mathematics and architecture influenced the techniques and paragraph episode of Renaissance Craft. Territory came to revere artists, who discovered latest innovations in Essay, such as perspective and foreshortening, and paintings took on a solution of Profundity and realism.


Chiaroscuro


Chiaroscuro is a depiciton method that creates a contrast between flare and dim and is used to assemble an entity gaze three dimensional. An case of its stretched appropriateness in Renaissance delineation is on the human protest. Artists gradually blend colour from flare to dim to actualize shadows according to where light would naturally fall on the body. This technique introduced realism and a sense of drama, expressed through the use of light and shade.


For instance, a single figure can be heavily lit, as if in a spotlight, while the images surrounding it are painted so darkly to be almost black. A painting entitled "Judith Slaying Holofernes" by Artemisia Gentileschi illustrates this technique.

Cangiante

Cangiante is a method of creating tone and shade on an image by adding a new color, rather than trying to darken or highlight with variations of the existing hue.


The soft glow of her face gives the painting a warm, relaxed and open feel.


Tenebrism


Tenebrism comes from the Italian word Tenebroso, meaning "dark" or "somber" and is a technique that exaggerates the contrast between light and dark. Although similar to chiaroscuro, it is used more specifically for dramatic intent, as darkness becomes a feature of the painting.

Sfumato

Sfumato is an Italian term meaning "to disappear" or "fade away." It is a technique for creating a smoky, hazy outline for an image. The artist slowly blends the edges, using a combination of dark and light color, to create a soft effect. A famous example of this type of painting is the "Mona Lisa" by Leonardo da Vinci.



For instance, a robe is painted yellow, but the darker, shadowed areas are painted red. Michelangelo used this technique extensively in his Sistine Chapel ceiling paintings, particularly in the "Prophet Jeremiah" section.