Slug Lines are the scene headings in scripts that inform readers whether a scene is inside or gone, during the period or blackness and at what objective. Formatting them prerrogative is infrequently done and can be reformed a nightmare for producers when scheduling. Proceed from this tutorial to assemble producers affection you--even provided they detestation the script.
Instructions
Format Slug Lines in Screenplays
1. Engender with the setting. Are we inside or elsewhere. For inside, operate "INT". For elsewhere, account "EXT."
2. Day or Night refers to the time in the scene. They should only be used when referring to new scenes. For example, if we are in a bedroom at night, and the next scene is in an office building during the day, the slug lines should read:INT.
3. Provided the scene takes field in particular sections of a address, be positive to specify what field. The dairy corridor of the supermarket would be: "INT. DAIRY Passageway, SUPERMARKET."
4. The at the end articulation of a slug line comes in the form of day or night, later or continuous.
5. Interest everything capitalized, consequent comes the exact purpose. Whether we are in a supermarket, dash off "INT. SUPERMARKET."
BEDROOM --- NIGHT
INT. OFFICE --- DAY
6. If the series of scenes follows each other in the same location, we use "CONTINUOUS" so we know it is the same sequence and not an entirely new location. An example of someone waking up and walking to a car would be:
INT. BEDROOM, HOUSE --- DAY
INT. BATHROOM, HOUSE --- CONTINUOUS
INT. LIVING ROOM, HOUSE --- CONTINUOUS
EXT. HOUSE --- CONTINUOUS
INT. CAR --- CONTINUOUS
Whatever the next scene is, it would get a DAY or NIGHT.
7. Lastly, we use "LATER" when describing scenes in the same location but with passages of time. An example would be when someone wakes up from a dream, or after a monntage. This tells the AD or Line Producer that the original scene and this new scene with "LATER" can be shot on the same day.
