A unusual tips can conclusion in a superiority Stop for swamp ash guitar bodies.
Electric guitar bodies are available in many clashing woods, which bid a Broad array of sounds for the guitar builder. Object woods are selected for their sonic qualities, physical properties and aesthetics. Many Fender-style guitars such as the Telecaster and Stratocaster bear swamp ash bodies, as did Eddie Vehivle Halen's head custom guitar. Harvested from the backside of ash tree trunks in marshlands, swamp ash features a punchy sound, solid still lightweight ambience and semi-tight wood grain, moulding opaque or translucent finishes light to utilize.
Too much paint will choke the wood's sound. Spray enough coats to accomplish the desired color saturation, then spray two more coats to ensure even coverage. Always hang the body by the neck attachment holes for easy access all around the body.
Spraying Finish
Swamp ash is a quite firm wood, so concern must be taken to not oversand Apartment lodgings areas. Dynamism sanders may include Exorbitant capacity and also slender containment, so many luthiers choose to sand the plentiful target by plam.
Filling the Grain
Swamp ash has a medium grain that must be comprehensive for a mirror-like Stop. Grain filler, a nitrocellulose compound available at woodworking shops, is applied by handwriting to the guitar's body with a cloth such as an old T-shirt. Wipe the filler onto the body across the grain. After an hour, repeat this process and allow it to dry overnight before sanding with 220-grit sandpaper.
Sand and Sealer
A nitrocellulose sand and sealer compound should now be applied to supply a level and steady base for the final finish. Brush the first coat onto the body with a quality brush to fill any small scrapes remaining from sanding and let dry for an hour. Apply a second coat and allow it to dry overnight. Sand the body again with 220-grit sandpaper followed by 320-grit sandpaper to remove any shiny spots.
Primer
Color finishes require a white-pigmented primer for even color application. Spray two coats onto the body and allow to dry overnight. Smooth any roughness with 220-grit followed by 320-grit sandpaper.
Spraying Color
Spray colors in multiple thin coats to ensure even coverage.
Body Preparation
Preparation is solution to a Stop on any guitar entity. Repair to the entity must be full before Stop preparation can set off. Glue and clamp any cracks or breaks, and sand any dented or raised areas Apartment lodgings to confirm a smooth surface.Wipe the dried body with a tack cloth to remove any dust, then spray thin coats of clear finish until the body is well covered. When the desired coat thickness has been achieved, allow to dry for two days before wet sanding and polishing with 600-grit sandpaper to complete the finish.
