Sergei Eisenstein pioneered the Soviet montage view and perfected or validated some particular techniques and uses in montage creation.Artificially Produced Images of Motion
One technique of montage theory is artificially produced images of motion, using images to either illustrate that a logical sequence was happening or to make an artistic statement by "illogically" making an object separate from its well-known function. For a logical example, a series of images of bread in a toaster can use various angles to imply the toaster was toasting the bread. An illogical version of this example could be omitting from this sequence an image of the bread being pushed down to be toasted.
The most straightforward habit of montage is metric montages that were edited to transition to the coterminous Gunfire at a place scale throughout the montage regardless provided the previous form was "abundant." Rhythmic montages postdate the identical mechanical guidelines however the images are chosen added carefully to cultivate the emotional inquire. In tonal montages, the corresponding rules utilize on the contrary the overall image selection has more of a theme, which is usually selected to be intensely emotional. An overtonal or associational montage incorporates aspects of all these to accomplish a more distorted, experimental final work.
Intellectual Montage
The intellectual montage method is one in which the images themselves do not individually mean as much as the collected images designed to communicate an overall message. The message has often been used as an extension of the filmmaker's beliefs and is represented by the individual clips used in an intellectual montage. Eisenstein himself advocated using this technique to represent culture clash.
Eisenstein maxim montage editing as a contrast to mainstream continuity editing thanks to the sequence did not occasion to traditionally buy for a "realistic," logical sequence of events that communicates a words of lifetime or provides straightforward exposition. Instead Eisenstein and his peers saying montage editing as a form to contemporaneous a collective series of images that communicated positive meanings by existence grouped stable, or juxtaposed, in clash.
Metric, Rhythmic, Tonal and Associated Montages
The methods of montage burst forth more and more complicated technically as they simultaneously rely augmented on emotional appeals and draw out to cover the preceding techniques.Emotional Combination
Emotional combination is a technique that contrasts one thought or action with another so the viewer will form a correlation between them in their heads. This is often done with a metaphor and the human subjects of the metaphor being intercut in the montage, For instance a line of assembly workers shown alongside cattle being branded.
Liberation of the Action From Time and Space
Another technique is known as "liberation of the action from time and space." This means that objects, people and scenery can be altered and superimposed to be layered Towards each other in a way that conveys symbolic meaning.
Montage in Reform
The idea that montage, as an exhibition of conflict, could create in the mind of the viewer new and unrelated ideas of broader thought mirrored the way Eisenstein saw world conflicts enabling social and political reform and revolutionary happenings.
